Nietzsche & Camus
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8 thoughts on “ Nietzsche & Camus ”
Tolstoy (in Confession), Dostoyevsky’s Underground Man, and Nietzsche in The Gay Science, are all critical of those who think the main goal in life should be the pursuit of pleasure and the avoidance of pain. Why? When Nietzsche read Notes from Underground he immediately hailed Dostoyevsky as a ’kindred spirit’. Why? In The Gay Science, Nietzsche says: “Life—that is: being cruel and.
Camus emphasised rebellion, Satre: Freedom- they are both highly individualised starting points. True nihilism is a rejection of value and meaning in anything whether it be .
Nietzsche’s moral philosophy is primarily critical in orientation: he attacks morality both for its commitment to untenable descriptive (metaphysical and empirical) claims about human agency, as well as for the deleterious impact of its distinctive norms and values on the flourishing of the highest types of human beings (Nietzsche’s “higher men”).
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Camus found this appealing and seductive. Even more, for Camus Nietzsche was the great liberator; his rare courage, intelligence, and lucidity offered freedom from the authority of social moral codes and from servile, life-denying philosophies. His was not an easy freedom, for its other side was human responsibility for contlimebouttirejuncdescrenlimentpa.xyzinfo by: 1.
In this essay, I compare Albert Camus's conception of rebellion as a response to the absurd to Friedrich Nietzsche's notion that humor can become rebellious and assist us in the struggle against.
This essay utilizes the work of the comedy group, Monty Python, as a means of introducing basic concepts in Existentialism, especially as it pertains to the writings of Nietzsche, Sartre, and contlimebouttirejuncdescrenlimentpa.xyzinfo: Edward Slowik.
The Myth of Sisyphus, philosophical essay by Albert Camus, published in French in as Le Mythe de contlimebouttirejuncdescrenlimentpa.xyzinfohed in the same year as Camus’s novel L’Étranger (The Stranger), The Myth of Sisyphus contains a sympathetic analysis of contemporary nihilism and touches on the nature of the absurd. Together the two works established his reputation, and they are often seen as thematically.